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İnci Eviner’s new solo exhibition presents the drawings that lie behind her instantly recognisable multi-media works.
For Eviner the act of drawing is one of “building bridges between gaps of memory and things in the world… an action plan that enables me to establish swift relationships between What Remains from the visible world, What Returns from undefined zones”, and the implications to be drawn.
The expanse of paper, Eviner says, “is a psychic landscape”, in which the violence evident in “complex relationships between the images” is tinged with humour.
Subscribers’ links: For more on this remarkable artist, click here to see The Occidental Tourist, by Denna Jones, on İnci Eviner’s 2009 video installation Harem at the BM this winter in Cornucopia 60; and Thomas Roueché’s profile Inside Outside Art in Cornucopia 59
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