All eyes on the humble olive

Inaugural Slow Food-organised event in Ayvalık takes a deep dive into the history, culture and ecology of the olive

By Jennifer Hattam | April 22, 2016

‘Turkey is not really an olive oil country.’ It seemed a strange thing to say at an event hosted in Turkey and dedicated to the world of olives.

‘So why are we meeting here?’ one international participant whispered after the Turkish academic Artun Ünsal made his declaration on the first day of the ‘Slow Olive’ gathering. The event brought producers, consumers, chefs, scholars and environmentalists from around the Mediterranean together for four days last week in the Aegean town of Ayvalık.

Participants came from around the Mediterranean for the four-day event, which had a packed programme

It’s true, as Ünsal argued, that olive-oil consumption per capita in Turkey is dramatically lower than in fellow producing countries such as Greece and Italy. But other speakers at the inaugural Slow Food-organised event amply demonstrated the important place that olives and olive oil hold in Turkey’s history, culture, ecology, politics and cuisine.

‘The first thing my forefathers did when they settled in Altınova was plant an olive tree,’ said the food history researcher Nedim Atilla, whose grandfather was brought to Turkish soil from the Greek island of Lesbos during the population exchange of the 1920s. The painful history of that period reshaped the agricultural landscape of the Aegean and other affected regions, emptying many villages of their main producers of olives and olive oil, and in some cases replacing them with people who were more used to growing crops such as wheat and tobacco.

Nedim Atilla speaking at Slow Olive

‘There was a huge vacuum left behind. People from [the olive-growing regions of] Crete and Lesbos settled in the Altınova and Edremit area, so olive culture continued there. But not every area was so lucky,’ Atilla said.

One such less-fortunate places was Akçaabat, on the Black Sea coast near Trabzon. The presence of olive trees in the region is noted in historical records at least as far back as 1064, and the area generated the Ottoman Empire’s second-highest level of taxes from olives, after Crete, according to Türkün Sümerkan of the GOLA Culture, Art and Ecology Association.

Evliya Çelebi wrote about seven types of olives in Trabzon, including one that was small, black, cherry-like and could be eaten straight off the tree,’ said Sümerkan. Other olives in the region were put in sacks in a long trough made from karaağaç (elm) wood and ‘stomped like grapes to make olive oil,’ she told us, positing that the motion of the line of olive-stompers in the trough, their hands held high to grab a rope strung above them to keep them from slipping, found its way into the moves of the traditional Black Sea horon dance.

‘There were probably songs that went along with it that were meant to make the tedious work a bit more palatable,’ Sümerkan continued. ‘But [after the population exchange] there was no one to transfer that olive culture to, so local songs and folklore were not passed down.’

Slow Olive participants tasting some of the different olive varieties that come from all over Turkey

Olives are still found and harvested in a few places along the Black Sea, a fact that may come as a surprise to the casual eater in Turkey, where olives are generally associated with the main growing areas and olive-oil-rich cuisine of the Aegean coast. That is a perception which Slow Food Turkey sought to change at the Slow Olive event with an exhibition and tasting of dozens of olives – black, green, brown, red, salty, meaty, tangy – from places as far-flung as Artvin in Turkey’s mountainous northeast and Mardin along its southern border with Syria.

‘There are around 90 types of olives in Turkey, but primarily just ten species are cultivated,’ said the agricultural engineer Mücahit Taha Özkaya, a faculty member at Ankara University. ‘We don’t know about or benefit from our biodiversity. Each olive has a different aroma and taste; even the same type of olive tree in a different location yields olives that smell and taste differently.’

Each of the 90 types of olives in Turkey have a different aroma and taste

That diversity is under threat not just from neglect, but also from the extreme weather concerns caused by climate change and from rapid development of coal-fired power plants and other energy facilities, according to the environmental activist Mahir Ilgaz of ‘Coal is the biggest threat to olive growers in Turkey – of nearly 80 new coal plants planned, most are on the coast in olive-growing areas,’ he said. Long-sought regulatory changes would make it even easier to develop such areas by exempting small groves from existing protections.

Though good-quality olives and olive oil can be made from large, plantation-style monoculture production areas, small groves like those still often found in Turkey are invaluable for preserving both olive culture and the broader habitat, explained Güven Eken of the environmental group Doğa Derneği.

Small olive groves play an important role in preserving the broader habitat (Source: Jennifer Hattam)

‘Up until a century ago, olive groves were a food source, grazing land, habitat for many species – not just something that generates a product but an integral part of nature,’ Eken said. ‘If olive groves are naturally grazed, as they were by wild deer and goats before human cultivation, other species of plants, such as mushrooms and wild greens, can be harvested from underneath the trees. Wood, oil, wild vegetables and cheese from grazing animals can all be part of the harvest from an olive grove.

‘Co-existence is one of the cultural values of the olive,’ Eken added. ‘There’s an unwritten culture around olives that needs to be protected and transferred to the next generation.’

Doing so would have economic benefits as well as societal ones, according to Piero Sardo, president of the Slow Food Foundation for Biodiversity. He argued that his country, Italy, has seen its once-rock-solid place as the world’s top producer and exporter of olive oil threatened because it focused too much on producing oil in high quantities and not enough on ‘narrating the diversity’ of its olive varieties, small producers and landscapes. ‘Someone can always start to produce and sell olive oil at a lower cost,’ he said. ‘The culture of the product has to reach the market too.’

Doğa Derneği’s Eken sounded a similar note. ‘Olive oil shouldn’t be considered to be just based on the olives it’s made from, but on the whole system [around the trees],’ he said. ‘The different ecosystems covering different parts of Turkey are part of the reason for the richness of our cuisine.’

The participants of Slow Olive relaxing among the olive trees on Cunda Island (Source: Jennifer Hattam)

That argument may just be the most powerful one of all for protecting and preserving olive-growing culture. Of the many serious topics addressed during Slow Olive – from environmental pollution to land-grabbing to fair trade – it was the Istanbul-based chef (and owner of Kantin, one of Cornucopia’s favourite eateries) Şemsa Denizsel’s discussion of zeytinyağlılar, or ‘dishes with olive oil’, that got the crowd most riled up.

Describing how she prepares her fresh beans with olive oil, Denizsel asked the audience whether they make their zeytinyağlılar with sugar or not. A fierce and loud debate quickly broke out, with people jumping to their feet without waiting for the microphone to reach them to argue the merits or faults of adding sugar to these dishes, generally based on the ironclad argument: ‘That’s how my mother always did it.’

If that kind of passion can be harnessed to defend and support Turkey’s olive growers, their culture will endure here for many centuries to come.

Jennifer Hattam is a freelance journalist based in Istanbul, writing frequently about food and the environment, among other topics. Follow her on Twitter.

All photos provided by Slow Food Turkey unless otherwise noted.

Posted in Culinary Arts, Nature, News
More Reading
Current Events
Cornucopia Digital Subscription

Cornucopia Online

Cornucopia has joined forces with the digital publishing platform Exact Editions to offer individual and institutional subscribers unlimited access to a searchable archive of fascinating back issues and every newly published issue. This brand new resource is available cross-platform on web, iOS and Android and offers a comprehensive search function, allowing the title’s cultural content to be delved into at the touch of a button.

Digital Subscription: £18.99 / 1 year

Subscribe now

Print subscribers automatically receive FREE access to the digital archive. If you are already a subscriber, please register at with your subscriber account number or contact