Fahrelnissa Zeid’s first UK gallery exhibition this century, following her 2017 institutional retrospective at Tate Modern, is curated by her biographer Adila Laïdi-Hanieh. The focus is on the 1940s–60s, when Zeid was at her most innovative. The artist, featured in Cornucopia 69, wrote of herself: ‘I am a means to an end. I transpose the cosmic, magnetic vibrations that rule us. I am not a pole, a centre, a self, a somebody. I act as a channel for that which should and can be transposed by me.’
Ghada Amer: Aurora,
Colour is the Place
