Book Description

In December 1835, the steamship Levant cuts through cold winter winds as two Danish artists stand on deck, gazing toward the horizon. Ahead lies Constantinople: the great metropolis situated between East and West. For the painter Martinus Rørbye (1803–48) and the architect Gottlieb Bindesbøll (1800–56), their encounter with the city would mark a decisive turning point.

Rørbye and Bindesbøll crossed paths in Italy in the mid-1830s during their prolonged study tours abroad. After a stay in Naples, they decided to continue travelling together to Greece, which had recently gained independence from Ottoman control. From there, they were unexpectedly given the opportunity to travel on to Constantinople in the Ottoman Empire – an unusual destination for two Danish artists at the time.

They arrived in Constantinople (today Istanbul) in December 1835 and stayed for six weeks, producing a remarkable number of sketches. Rørbye focused on the life of the city: coffee houses, public fountains, and the crowds around the great mosques. Bindesbøll, by contrast, concentrated on architecture – its ornamentation, colours and structures – often depicted in precise details rather than monumental overviews. On 1 February 1836, they left the city.

The journey to Constantinople proved transformative. Rørbye returned home and created a series of Orientalist paintings that quickly gained him recognition. For Bindesbøll, the impact of the journey was subtler, yet deeply embedded in his architectural work. His encounter with Ottoman ornamentation and polychromy played a significant role in shaping his highly personal style, most notably in Thorvaldsen’s Museum.

The exhibition at the David Collection in Copenhagen offers a rare opportunity to see works that have never been shown in combination, including several of Bindesbøll’s sketches that are exhibited for the first time. Exhibition dates: 5 February – 23 August 2026