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A contributing editor of Cornucopia, Thomas Roueché is a writer and researcher, working in London and Istanbul.
Thomas Roueché reflects on the lessons of the 17th Istanbul Biennial
A superb exhibition at Meşher, Istanbul, ‘I-You-They’, shines a light on a century of remarkable Turkish women artists largely ignored in their lifetimes. Finally they win the recognition they have long deserved. By Thomas Roueché
The palm trees of Athens have been under siege from city planners and a deadly parasite, but the inventive artist Navine G Khan-Dossos has created a space in an abandoned museum attic where her stylised palms can flourish. By Thomas Roueché. Photographs by Nikos Kokkas and Yiannis Hadjislanis
Black musicians, White Russian princesses, Turkish flappers… During the Jazz Age, Beyoğlu was a ferment of modernity and decadence.
Sagalassos, the remote site in southern Turkey where a giant statue of Emperor Hadrian was discovered five years ago, is the driving passion of Marc Waelkens. The Belgian archaeologist talks to Thomas Roueché about his pioneering work as director of excavations
The Kier Collection was the life’s work of ther late Edmund de Unger, a hungarian émigré whose eye for islamic art was matched by his nose for a deal. By Thomas Roueché
Its Temple of Artemis, magnificent Theatre and Library of Celsus made Roman Ephesus a wonder of the ancient world. But the real marvels of the city are the private properties of its wealthy citizens. Thomas Roueché steps inside a block of astonishing apartments. Photographs by Jean Marie del Moral
An architectural extravaganza built in America’s Gilded Age for the man who invented the bottle top, the Everett House in Washington DC has a long and colourful connection with Turkey. Thomas Roueché charts its history. Photographs by Jürgen Frank.
Issue 65, 2022-2023
Roman Roads
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