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Heraklion (Iráklio) Archaeological Museum

Plateia Eleftherias/ Xanthididou 2, 71202 Iraklion

Winter (Oct–Mar) Monday 11:00- 17:00 Tuesday-Sunday and bank holidays 08:00-15:00 Summer (April – October) Monday: 8:00 - 20:00 Tuesday-Saturday: 08:00 - 20:00 Sunday and national holidays: 08:00 - 20:00 Tickets 6€, 10€ for a combined ticket with the Palace of Knossos.

Many exhibits from Knossos are in the National Archaeological Museum in Athens, but the Archaeological Museum in Heraklion remains the most important place to try to absorb the enormity and sophistication of the Minoan culture that flourished from around 6000BC until 1500BC when it vanished without human trace. This is a large, modern museum on two floors, both of which can take an hour to explore. The exquisite wall paintings, humorous and freely painted ceramics, cooking ware and household objects seem to hint at a time of peaceful trading and good living, when a mother figure held sway in the sky, earth and sea, when acrobats leapt over bulls, jewellerty sparkled, and wine and honey flowed. Interesting, too, to see the significance placed on the double-headed axe, a link, perhaps, to the pre-Hellenic Carians of Anatolia, where it was particularly in evidence at the shrine to Zeus in Labraunda.

Cornucopia 43

Cult Capital of Caria

By Rupert Scott

Labraunda is perhaps the most romantic of the ancient Carian sites. Set on a series of man-made terraces high in the pine-clad Latmos Mountains, some 15 kilometres north of Milas, it has an uncomparably beautiful situation and a superb view to the south and west. It is far enough off the beaten track that even today it is not unusual to find yourself its only visitor, an experience that is becoming quite rare in the ancient sites of southwest Turkey. You feel as if nothing has changed since the end of antiquity.

A handsome new book, Mylasa Labraunda: Milas Çomakdağ – the latest in the series Urban and Rural Architecture in Turkey – looks not just at Labraunda, but also at neighbouring monuments (such as Alinda and Iasos), at the vernacular architecture of the villages scattered across the mountain of Çomakdağ, at local flora, even at local geology. This may seem over-ambitious in a single volume, but the result is a very readable, attractive book that should please both the scholar and the merely intellectually curious.

Labraunda is not a city, but the sanctuary of a god and place of pilgrimage. Just as Miletus had the Temple of Apollo in Didyma, Ephesus had the Artemision and Syracuse had its Olympeion, Caria had Labraunda – the Sanctuary of Zeus Labraundos. A paved sacred way led to the sanctuary from Milas, and it is thought that Carians made an annual pilgrimage.

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