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John Henry Haynes was the father of American archaeological photography. Many of his images are the only record of a vanished Anatolian heritage. On the centenary of his death, Robert Ousterhout pays tribute.
An architectural extravaganza built in America’s Gilded Age for the man who invented the bottle top, the Everett House in Washington DC has a long and colourful connection with Turkey. Thomas Roueché charts its history. Photographs by Jürgen Frank.
The magic of southwest Turkey can still catch you unawares, especially if you sail. Botanist Ro FitzGerald boards a fine ketch and plots a course for that stunningly beautiful corner where the Aegean meets the Mediterranean.
The pots of Alev Ebuzziya Siesbye have an ideal serenity and timeless beauty, as visitors to her retrospective in Istanbul have discovered. But their cool simplicity belies the passion that goes into creating them. Alistair McAlpine met the artist in Paris.
An Egyptian rubbish heap reveals its buried treasure, mysterious birds deceive the eye, and Chinese clouds have silver linings. Philippa Scott continues her guide to the world of rug collecting
High in the apparently empty Kaçkars, the way of life is as old as the hills. Michael Hornsby joins in the fun at a village festival in remote summer pastures. Photographs by Giulio Rubino
In a special 55-page report, Cornucopia sets out to explore Turkey’s compelling northeast. While Ali Konyalı photographs the dramatic architecture, Norman Stone unravels the history. We then climb into the high Kaçkar to discover walks and churches, butterflies and music before heading down the Black Sea coast with Charles Perry to taste its edible secrets. First, Raf Jah describes arriving in the frontier city of Kars aboard the Eastern Express
Justin Marozzi, author of a new book on the world’s first great explorer, explains his fascination with Herodotus.
Francis Beaufort’s epic 1812 survey of Turkey’s southern coast and its classical sites sparked a European treasure hunt. It also very nearly cost him his life. By Nicholas Courtney with photgraphs by Kate Clow and James Mortimer
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