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Maureen Freely is a journalist, novelist, translator and professor. She is perhaps best known for her translations of the work of Orhan Pamuk.
These empty homes on Istanbul’s Asian shore were once full of life, hopes and dreams. Maureen Freely studies the haunting photographs of Metehan Özcan
Maureen Freely goes ‘Bosphorising’ with her father, John Freely, in search of her treasured childhood in Istanbul. Could it be that it was all so simple then?
Maureen Freely recalls the artists and writers who enlivened her childhood with their flamboyant bravado and unspoken sadness
They were stigmatised and despised, and eventually they were closed down. But what would Turkey be today without the Village Institutes, its bravest educational revolution, and the young people they empowered? Maureen Freely tells the moving story of the institutes, the subject of a new book and exhibition
Selected poems translated by Ruth Christie, Richard McKane and Talât Sait Halman
Time stands still in the central-Istanbul house where Feyhaman and Güzin Duran, Turkey’s first recognised portrait painter and his artist wife, lived and worked for 40 years. Maureen Freely celebrates their partnership.
In 1960 Maureen Freely’s family packed up all they possessed, waved goodbye to Princeton, New Jersey, and stepped out into the unknown. She had no idea why. Their destination was to her merely a name on a map: Istanbul. It was to become the place she still thinks of as home. Her father, John Freely, would write the classic guidebook ‘Strolling Through Istanbul’. More than forty years later, Maureen looks back on a golden childhood of parties, laughter and, above all, adventure
American-born Carla Grissmann wrote ‘Dinner of Herbs’, her portrait of an isolated hamlet in central Anatolia, to assuage her loss when she was forced to leave at a few days’ notice. Thirty years later, she was persuaded to publish it at the moment her second adopted home, Afghanistan, was taken from her. She talks to Maureen Freely of her love of remote places and people.
And where shall we begin, he would ask, when he’d tired of the adults and defected to the children’s table. Then for the next few hours we would watch him drawing hob goblins in vast tableaux of tilting buildings, crashing planes, wobbling space-ships and ocean lines battling the waves.
Famous for his atmospheric films set in stark landscapes, Nuri Bilge Ceylan is now attracting attention with his photography. Maureen Freely leafs through the pages of a fine limited-edition album of his enigmatic, painterly scenes
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