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Süleyman the Magnificent’s city within a city above the Golden Horn has come to house one of the world’s finest collections of books and ancient manuscripts.
Where would American pop be, asks David Barchard, without Arif Mardin, who left his venerable Ottoman family for a mixing desk in the US?
A romantic country house in the forested foothills of Ai Petri that became a wedding present a gift for the Tsar’s niece
As the Sadberk Hanım Museum celebrates the art of embroidery, Min Hogg marvels at the motifs of palaces, fruit and flowers, sea and cityscape, wrought stitch by stitch, to adorn every Ottoman home
The V&A’s Tim Stanley eyes up the Louvre’s astonishing new Islamic offering
Mulberries come in an array of hues: black, white, pink, purple; some enticingly sweet, others astringent and healing. As Berrin Torolsan can testify, having grown up with them in her Istanbul garden, all are adored – by man, mallard and pine marten alike. Here she traces the history of this lucious fruit
From the morning of May 31, 1453, until his death twenty-eight years later, Sultan Mehmet II was fixated with re-creating and repopulating his newly acquired capital, Konstantiniyye. Historian Heath Lowry sheds light on the Ottoman Renaissance.
With a taste for adventure Indiana Jones would appreciate, the Dutch architectural historian Machiel Kiel has risked life and limb in his mission to expose the annihilation of Ottoman monuments in the Balkans. The art historian Holta Vrioni pays tribute to his work and exploits
The Crimean War of 1853–56 which ended 150 years ago this year [2006] now seems very remote. Why were Great Britain and France, in alliance with Ottoman Turkey, fighting Russia in the Black Sea? Norman Stone investigates the causes and reviews an exhibition of Crimean War memorabilia at the Sadberk Hanim Museum.
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