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The camel in question graces the glorious cover of this beautiful book which contains around 600 photographs of Turkish nomads taken over the decades, mainly by Harald Böhmer. Other classics include a shot of his long-term collaborator, Josephine Powell, camera-eyeballing a fighting camel; a dust storm; performing bears; spinning, weaving and braiding; breads, butter and cheese; giant sheepdogs; glowing mothers and children; and everything to do with yurts, tents and shepherds’ huts. The pictures are suffused with bubbling smiles and good humour, in contrast to the struggle that has coloured their subjects’ honourable, archaic existence.
Life is hard for nomads, but as they disappear, humanity will be the poorer. Every time you look at these pictures, they seem to take you further into the world of the Türkmen and the Yürük, and of the once all-powerful White Sheep (Akkoyunlu) and Black Sheep (Karakoyunlu) clans. Böhmer has produced an uplifting testament to Turkey’s last nomads, the portrayal of whom was his life’s work as well as that of his wife, Renate, and the late, much-missed Josephine Powell.
I recall from thirty years ago how whenever I stayed with the Böhmers in Istanbul or in Oldenburg, in northern Germany, Harald would at every moment be writing up his work, planning trips, tinkering with dye experiments, preparing exhibitions or debating ideas about the great theories described at the end of this book. Their Istanbul flats were knee-deep in books, maps, photographs, textiles and objects – and of course the dye plants involved in their ethnographic studies and the Dobag natural-dye project, which would revolutionise the way villagers made rugs, using natural dyes once more. There would be dyes in cooking pots in the kitchen and saturated coloured wool hanging on the verandah.
An unrivalled anthropological photographer, Josephine Powell was also an extraordinary researcher and a focal point for Turks interested in their own nomadic culture. To call her a persistent thinker and lover of debate would be an understatement. Harald and Renate additionally had chemists’ discipline and methodology. This book shows he is also a great photographer. They made a splendid team, all gaining from each other.
In the tradition of significant ethnography, they made repeated visits to different families and groups of nomads over many years – a method shared by Caroline Humphreys and described by her as “a long conversation”. In addition, there was their love of Anatolian textiles. For Josephine this started with bags used by nomads, progressing to other flatweaves and chii, the wrapped-reed screens as yurt walls. In a complementary way, Harald and Renate followed piled and unpiled weavings – though unusually: through the dyes used.
The book’s second part covers historical textiles of the Anatolian nomads and features over a hundred rugs, bags and screens – mainly flatweaves. Diagrams show how they are used and close-ups focus on weaving techniques. The textiles are further placed in context by short but profound essays on such intractable subjects as the origins of kilim patterns and Anatolia’s 10,000-plus years of cultural history. These almost political questions are best saved until one has much experience and wisdom and have matured well under Böhmer’s prolonged critical examination. The translation reads more fluently than his earlier books and captions with accompanying diary extracts give dates, locations and often names of the nomads happily sharing their lives.
Turkey’s nomads have a proud oral culture but, except for rare messages on tombstones – such as “This life is ended, the road never ends” – photographs are the only way to reanimate the legacy of their objects. The pictures showing the fiendishly difficult skill of erecting a yurt so that it stands straight and strong reminded me of Josephine Powell laughing. Buying her first yurt, she found it unexpectedly inexpensive. This turned out to be because she had inadvertently bought only the top “wheel” and not the yurt’s sides – those required another expedition. But no need to worry today. Here, enriching the pictures, are clear diagrams of tents, shepherd’s huts and looms; historic and current maps relevant to transhumance and migration.
Buy this book. It is a classic, and its primary approach will not be seen again, for the authors’ friends and subjects - the nomads of Anatolia - have virtually disappeared.
How the diplomatic world dragged itself away from Istanbul and settled in the new capital. By Norman Stone
Colourful mountains of melons are a common sight at weekly street markets. Connoisseurs examine them, sniff them, weigh them in their hands. The stalk should have dried slightly, the bottom yield gently if pressed and the fruit should feel heavy and full.
Also see Cornucopia 47, Watermelons
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Phrygia, in western Anatolia, was one of the most powerful kingdoms in the Near East – home to Midas, Gordius and Alcibiades. Today the remnants of their lives litter this forgotten landscape, abandoned by all but a few villagers who still tell stories of the unfortunate king who lived to regret his golden gift. David Barchard heads to the Phyrigian highlands to explore a land of myth and mystery. Photographs by Fritz von der Schulenburg
In Turkey the tireless George Maw was able to indulge in both his loves. He found inspiration for the decorative tiles made by his family pottery. And he discovered the plants that inspired his magnificent book on crocuses.
A new capital called for new architecture. Ankara in the 1920s and 1930s produced a fascinating diversity of styles as the foreign powers dragged themselves away from the Bosphorus and settled reluctantly on the Anatolian plateau
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