Robert Ousterhout (Ph.D. University of Illinois at Urbana-Champaign) was Professor of Architectural History at the University of Illinois at Urbana-Champaign, where he taught for more than twenty years before joining the History of Art faculty at Penn in January 2007. A recognized specialist in Byzantine architecture, his research focuses on the documentation and interpretation of the vanishing architectural heritage of the eastern Mediterranean. His current fieldwork concentrates on Byzantine architecture, monumental art, and urbanism in Constantinople and Cappadocia.
Ousterhout is the author of numerous books, including The Architecture of the Kariye Camii in Istanbul, Dumbarton Oaks Studies 25 (Washington, D.C., 1987), Master Builders of Byzantium (Princeton, 1999), The Art of the Kariye Camii (London-Istanbul, 2002), A Byzantine Settlement in Cappadocia, Dumbarton Oaks Studies 42 (Washington, DC, 2005); and The Byzantine Monuments of the Evros/Meriç River Valley (Thessaloniki: European Centre for Byzantine and Post-Byzantine Monuments, 2007), with Charalambos Bakirtzis. He also recently edited the exhibition catalogue Kariye: From Theodore Metochites to Thomas Whittemore; One Monument, Two Monumental Personalities (Istanbul: Pera Museum, 2007), with H. Klein and B. Pitarakis; and Studies on Istanbul and Beyond: The Freely Papers (University of Pennsylvania Museum Publications, 2007). Master Builders of Byzantium just reappeared in a 2nd paperback edition (University of Pennsylvania Museum Publications, 2008).
At UIUC he was honored as University Scholar (1992-95), Outstanding Faculty in the College of Fine and Applied Arts (1991, 2002), and Associate at the Institute of Advanced Study (1993-4, 2006). He has also held Fulbright and Dumbarton Oaks fellowships. He was elected President of U.S. National Committee for Byzantine Studies (2002-06).
Ousterhout teaches courses in Byzantine art and architectural history. He serves as the Director of the Center for Ancient Studies.
Justinian’s soaring edifice inspires the same awe today as it did in visitors a millennium ago who wondered if this were Heaven or Earth. Setting out on a tour of the city’s best-preserved Byzantine churches, Robert Ousterhout still senses an air of the miraculous in Ayasofya
The Istanbul diaries of Gertrude Bell, now available online, reveal her astonishing transformation from socialite to scholar and political observer. By Robert Ousterhout
Not all Byzantium is buried: in addition to its twenty-odd surviving churches and sundry ruined palaces and fortifications, if you look around any grand imperial mosque, you will inevitably find columns, capitals and other marbles borrowed from its Byzantine predecessor. Robert Ousterhout investigates.
Byzantine Istanbul is elusive; much of its past lies buried. But, says Robert Ousterhout, the visitor can piece together a vivid if impressionistic picture of the city by exploring its glorious surviving churches, its monasteries and monuments, and by examining its wealth of archaeological treasures. Photographs by Fritz von der Schulenburg
By the mid-1990s the Zeyrek Camii was in a state of alarming decrepitude. Now that the Byzantine masterpiece has been rescued, what lessons have been learnt? For Robert Ousterhout, who was closely involved in the restoration, the old ways are always the best. Photographs by Jürgen Frank
America’s first archaeological adventures in the Ottoman Empire combined good intentions with diplomatic ineptitude and outright skulduggery. The wrong man was rewarded for groundbreaking discoveries. As those early excavations come under the spotlight with an exhibition and a new book of photographs, Robert Ousterhout and Renata Holod recount the bitter rivalries, the culture clashes – and the crucial role of the artist Osman Hamdi Bey
Robert Ousterhout is agog at the remarkable Georgian churches of the Tao-Klarjeti, the two medieval Georgian principalities between Kars and the Kaçkars
The dramatic mosaics and frescoes of Istanbul’s Kariye Camii, or Church of the Chora, blew away the stiff conventions of Byzantine art. Their energy leaves Giotto looking staid. But they are now in danger of turning to dust. The powerful pictures on these pages are from a book by Robert Ousterhout, who fell in love with the church 25 years ago. Here he makes an impassioned case for preserving this 14th-century masterpiece.
Robert Ousterhout reviews the Royal Academy’s blockbuster ‘Byzantium 330–1453’ and reports on two stunning archaeological exhibitions in Istanbul
Robert Ousterhout reviews Santa: A Life: The Epic Journey from Saint to Santa Claus by Jeremy Seal
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