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is the award winning magazine on Turkey and Turkish culture

 
 
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The Internet extension of Cornucopia, the magazine for connoisseurs of Turkey

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CORNUCOPIA
Issue 26, 2002, £8 (US$16)

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Volume 1
1 2 3 4 5 6

Volume 2
special volume offer
7 8 9 10 11 12

Volume 3
special volume offer
13 14 15 16 17 18

Volume 4
special volume offer
19 20 21 22 23 24

Volume 5
special volume offer
25 26 27 28 29 30 31

Special Istanbul Edition 32

Volume 6
33 34 35 36 37

 
Cover image: 9th-millennium BC deity,
Neolithic finds

CORNUCOPIA No 26 Highlights

Neolithic discoveries I I Camondo Dynasty I I Atabey Books I I Sir Herbert Chermside I I Mount Ida I I Glass Beads I I Milk Puddings I I Book Reviews


ANATOLIAN ARCHAEOLOGY
 

Cover Story: Neolithic discoveries in southeast Turkey

THE SHOCK
OF THE OLD

Harald Hauptmann reveals the extraordinary significance of the latest neolithic finds in the eastern Taurus mountains

 

This feline carving dates from the 9th millennium BC and is one of the earliest pieces of religious art ever discovered. Harald Hauptmann, who led the archaeologists who unearthed it near the city of Urfa, explains why the early Neolithic sites of southeastern Turkey are rewriting history.

A fully-illustrated 18-page report


HISTORICAL INTERIORS
 

PARIS

TREASURES
OF A LOST DYNASTY

By Patricia Daunt

Photographs
by Jean Marie del Moral

 

 

The Camondo family, once dubbed ‘the Rothschilds of the East’, amassed a fortune in Turkey before moving to Paris in 1869. There, in the rue de Monceau, they established an exquisite collection of 18th-century French art, which was bequeathed to the nation in 1935. Today the Musée Nissim de Camondo is all that survives of this magnificent but short-lived dynasty.

 

A 22-page photographic record of the Musée Nissim de Camondo in Paris by the brilliant French photographer and regular contributor to Cornucopia Jean-Marie del Moral. Essential reading for anyone with an interest in 18th-century French art. It also throws fascinating new light on the Ottoman Empire's relations with the West in the 19th century and is the moving story of a great, but ill-fated Istanbul banking family


ART
 

Exhibitions

EMIN BARIN AND THE ART OF LETTER WRITING

By Elizabeth Meath Baker

Emin Barin left school in 1928, the year the Latin alphabet was introduced in Turkey. For the son of a calligrapher, illuminator and bookbinder, who was already absorbed in these arts himself, the momentous nature of the change must have been obvious: it would have seemed to sound their death knell. In fact, this turned out to be far from the case. Elizabeth Meath Baker reports

3-page article, 10 illustrations. Catalogue sold out


COLLECTING BOOKS OF THE OTTOMAN WORLD
 

Connoisseur

THE RISE AND THE FALL OF THE OTTOMAN EMPIRE: A SCINTILLATING DRAMA IN 1,800 VOLUMES

By Jason Goodwin

Jason Goodwin previews the greatest sale in a decade of books on the Ottoman Empire. Plus highlights of the London Islamic sales

See full article

 


PROFILE
 

Portrait

THE GOOD FIGHT

Sir Herbert Chermside


By David Barchard

 

Sir Herbert Chermside, modest to the last, wrote no self-aggrandising memoirs of three decades' service in the Ottoman Empire. However, this great Victorian soldier, admired by his contemporaries as a remarkable diplomat and a committed peacemaker, merits a place in the history books.

Also by David Barchard: see BFG: Big Friendly Giant: the life and times of Frederick Gustavus Burnaby, in Cornucopia 25


TURKEY'S AEGEAN FLORA
 

Turkey's Flora

WILD ABOUT IDA

Text and photographs
by Martyn Rix

'From Troy, far to the north, you can see the long ridge and peaks of Mt Ida dominating the southern skyline. The tops are bare and windswept, but around the flanks of the mountain are woods which trap the winter snow and spring rain feeding the ancient River Scamander...'

Mt Ida is the frontier between the warm Mediterranean and colder European climates, and a paradise for wild flowers. Martyn Rix prospected the area from cool, damp north to hot, dry south. There he found and photographed dwarf flax, giant hogweed - and plants that grow nowhere else in the world

Travel notes

Also by Martyn Rix: see La Vie en Rose: the story of the Isparta rose harvest in Cornucopia 23

Where to stay in the Troad? There are plenty of choices in The Little Hotel Book


TRADE SECRETS
 

Trade Secrets

BLUE IS
THE COLOUR OF...

By Elizabeth Meath Baker

Stripped to the waist, roasting by their tiny furnaces and pickled in resinous pine smoke and alarming quantities of alcohol downed to quench an insatiable thirst (and with the doors tightly shut for fear of draughts), the bead-makers of Izmir practise their craft a short stride from the runways of Izmir’s airport.

 


COOKERY
 

THE MILKY WAY

By Berrin Torolsan

Simple, smooth and soothing, they satisfy the child in everyone. But milk puddings can also be gorgeously sophisticated. Berrin Torolsan revives the stars of Istanbul’s vanishing pudding shops

Muhallebi
Milk Pudding
Kuymak
Wheatflour Milk Pudding
Su Muhallebisi
Water Muhallebi
Keskul
Cream of Almond Pudding
Tavuk Gogsu Kazandibi
Caremalised Cream of Chicken Breast
Sütlaç
Rice Pudding
Kaymakli Dondurma
Salep Ice Cream
Muhallebili Güllaç
Rose-scented Pudding
Çukulatali Muhallebi
Chocolate Pudding

Plus: Maureen Freely on Kar, the new Orhan Pamuk, Antony Wynn on Laurence Kelly's life of Griboyedov, Elizabeth Meath Baker on the graphic designer and bookbinder Emin Barin, Ates Orga on the Istanbul Festival, Azize Ethem's Village Voices, Andrew Finkel on new Istanbul restaurants, and a roundup of the Islamic art sales in London

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Books reviewed in Cornucopia 26

Maureen Freely reviews the new Orhan Pamuk novel, Kar [Snow]

Antony Wynn reviews Diplomacy and Murder in Tehran: Alexander Griboyedov and Imperial Russia’s Mission to the Shah of Persia, by Laurence Kelly

See book club menu for our special book offers

Featured in the Connoisseur pages: The Library of Sefik Atabey, plus items from the Islamic spring sales including qibla compass, Iznik dish c1580, 10 pairs of damascened calligrapher's scissors, a Persian coco-de-mer keskul,, a gouache nude from a 17th-Ottoman poetry manuscript.

 

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